The arc Endless Eight will probably end in episode 5, but not before confounding (what I imagine) are most fans' expectations of a convenient end to the endless loop. Instead, there have been at least three iterations of the loop shown. For a show that began with episode 0, leapt through its own timeline, and then ninja ambushed the fans with the second season, there looping of the endless eight, should not be a surprise, yet it still surprised me.
Though the repeats jerks my chain with each rewind, I'm glad that Kyoto Ani isn't resting on their laurels. Sieg Kyon!
Update: Just watched 5, refusing to bow to rules or popularity pressure, Kyoto Ani continues Endless Eights for another week. I wonder if a mix up like season one would have worked better, but they strive to defy expectation.
Update 2: Episode 6 continues to loop the Endless Eights. Keep 'em guessing and stressing! I suppose that there's a good reason why there isn't a preview at the end of each episode. Keep 'em coming Kyoto Ani!
Update 3: I just watched the breaking of the loop at Episode 9. I was late to the game, but it was still a relief to see it end.
Showing posts with label Anime. Show all posts
Showing posts with label Anime. Show all posts
Friday, July 10, 2009
Thursday, May 21, 2009
She's Baaaaaaaaaaaaaaack!
Haruhi is officially back: http://www.animenewsnetwork.com/news/2009-05-21/new-haruhi-suzumiya-anime-episode-airs
The series starts out with the Bamboo Rhapsody. My fanboy fires have been reignited. I was feeling on point today. At first, I thought that it was from the ginseng or the nap during the safety training, but it was the return of the Goddesses of the Otaku. Welcome back, your Graces.
The series starts out with the Bamboo Rhapsody. My fanboy fires have been reignited. I was feeling on point today. At first, I thought that it was from the ginseng or the nap during the safety training, but it was the return of the Goddesses of the Otaku. Welcome back, your Graces.
Tuesday, December 16, 2008
Loser + Vampire: The Anatomy of a Harem
After watching most of the first season of Rosario + Vampire, my thoughts on harem series have become fleshed out. While the most obvious feature of the harem is the number of femmes throwing themselves at the hero, the other key feature of the harem genre is the "zero" hero, where the viewer can insert himself into the unfolding events. From this starting point, the actions of the lead throughout the series and at the end must also fit in the scope of this everyman aspect. Much of these thoughts probably apply to otome (2) series; however, my experience with the reverse harem is mostly confined to Fushigi Yuugi (3).
In both Rosario + Vampire, the lead Tsukune Aono is too stupid to get into high school after graduating from middle school. He played some soccer in school. He does not have any outstanding abilities, unique appearance, driving ambitions, or dearly held beliefs. From what I saw of the series, his hobby disappears from the story. Also, little is said about Tsukune's families or their friends from before the story starts. As far as I know, none of his pre-Yokai High relationships, past, or interest influences his decisions or provides a jumping point for advancing the plot or a hook for a side story. Tsukune serves as placeholders for the otaku viewer. Though the story is told from a 3rd person perspective, the thinly detailed leads counts more like a 2.5 person perspective.
With the blank slate of a lead, the question usually arises about what the females see in him. The answer is that there really isn't much to see. In Rosario, Tsukune forms a bond with Moka through their shared loneliness as he does with Yukari the witchling. His simple openess to and belief in Shirayuki wins her devotion. Similarly, in the now-venerable Tenchi Muyo, Tenchi wins over Ayeka by being sympathetic to her after she finds that she is stranded on Earth. Meanwhile, her bond with Ryoko the Space Pirate is established, because Ryoko observed him over the years as he grew up. She is the childhood friend in a one-sided way.
These good intentions and coincidences are within the reach of the otaku's abilities and preserve the ability of the otaku to continue inserting himself in the main character's shoes. This is in sharp contrast to the sports hero who must improve himself to strive to be the best. The sports hero usually tries to inspire the fan to strive. The epic or traditional hero transforms himself through his journey. There is an aspect of growth in these other types of heros. Not the harem lead. What is required of him is the continuance of his devotion and good intentions to the women around him.
After the bond is established, it is passionate and nigh unbreakable. Mako et al. end up defending Tsukune from monsters week in, week out. They also fight each other over him, though his actions make it clear that his bond with Moka is the strongest. Such is the devotion of the harem. This all-consuming and slavish devotion marks the bond between the harem and the lead.
The end of the tale comes when the main character must choose. Part of the lead's good intentions is the unwillingness to cut ties with any of the harem girls. To shed the girl's devotion is to hurt her. So the lead is forced to enjoy her devotion (4). I haven't seen the end of Rosario, So I'll need to draw on other works.
In the Shuffle! anime, the long relation between Rin and Kaede is a stark illustrator to this. As children, Kaede grew to hate Rin, to the extent where she drops an exacto knife on his face from the top of a stairway. When she realizes that the root of the hate is a lie, she devotes herself to him unconditionally. When Rin chooses another girl, the crap hits the fan and crazy Kaede comes back out, showing the psychic shock that comes with severing a harem bond.
Throughout the Tenchi series, this attempt to do no harm leads Tenchi to maintain the untenable equilibrium between the girls. Indeed, Tenchi the Movie 3 starts with Tenchi attempting to flee the bickering over him and is lured away by the phantom Haruna. During the protracted chase, Ayeka and Ryoko make it clear that their romantic feelings drive them rather than a sense of justice or platonic friendship or fellowship. The long standing rivals become allies and bolster each other when hope fades. At the end, Ayeka gives in during a bittersweet scene and asks Ryoko to bring him back. Severing ties is serious business in a harem, because it also disentangles the underlying weave of the story's central conflict.
Still, the choice is within the otaku's grasp (5). The otaku may make a different choice from the placeholder, but the story clearly leads to happily ever after (6). And the key to the placeholder is to keep most of the main character's action within the scope of the otaku from the begininng, to the middle, and to the end.
Notes:
(1) translation at www.baka-tsuki.net.
(2) one female, many men.
(3) and (parethetically) my friend the Polish "Ponytail girl" was accused of having a harem of her own. During her first weeks at college, she befriended a group of computer geeks: a jewish genius, a gay guy with a 'fro, a guy obsessed with poneytails, and the silent one. I was declared an honorary member at one point. Her relationship to all of us, save one, was strictly friendship. But that's neither here nor there and is, therefore, confined to the footnotes.
(4) Again, something the otaku consumer can do.
(5) That is where the safe habor of the fanfiction comes in to safely shelter his favorite 'ship.
(6) for every rule, there is the exception that proves it. School Days with the bloody "nice boat" ending is a parody with the main character sleeping around (and violating the harem trust) and caring only about his own convenience and pleasure. He basically gets what he deserves at the end. The appeal of School Days is partly in the shocking break from the harem pattern.
In both Rosario + Vampire, the lead Tsukune Aono is too stupid to get into high school after graduating from middle school. He played some soccer in school. He does not have any outstanding abilities, unique appearance, driving ambitions, or dearly held beliefs. From what I saw of the series, his hobby disappears from the story. Also, little is said about Tsukune's families or their friends from before the story starts. As far as I know, none of his pre-Yokai High relationships, past, or interest influences his decisions or provides a jumping point for advancing the plot or a hook for a side story. Tsukune serves as placeholders for the otaku viewer. Though the story is told from a 3rd person perspective, the thinly detailed leads counts more like a 2.5 person perspective.
With the blank slate of a lead, the question usually arises about what the females see in him. The answer is that there really isn't much to see. In Rosario, Tsukune forms a bond with Moka through their shared loneliness as he does with Yukari the witchling. His simple openess to and belief in Shirayuki wins her devotion. Similarly, in the now-venerable Tenchi Muyo, Tenchi wins over Ayeka by being sympathetic to her after she finds that she is stranded on Earth. Meanwhile, her bond with Ryoko the Space Pirate is established, because Ryoko observed him over the years as he grew up. She is the childhood friend in a one-sided way.
These good intentions and coincidences are within the reach of the otaku's abilities and preserve the ability of the otaku to continue inserting himself in the main character's shoes. This is in sharp contrast to the sports hero who must improve himself to strive to be the best. The sports hero usually tries to inspire the fan to strive. The epic or traditional hero transforms himself through his journey. There is an aspect of growth in these other types of heros. Not the harem lead. What is required of him is the continuance of his devotion and good intentions to the women around him.
After the bond is established, it is passionate and nigh unbreakable. Mako et al. end up defending Tsukune from monsters week in, week out. They also fight each other over him, though his actions make it clear that his bond with Moka is the strongest. Such is the devotion of the harem. This all-consuming and slavish devotion marks the bond between the harem and the lead.
The end of the tale comes when the main character must choose. Part of the lead's good intentions is the unwillingness to cut ties with any of the harem girls. To shed the girl's devotion is to hurt her. So the lead is forced to enjoy her devotion (4). I haven't seen the end of Rosario, So I'll need to draw on other works.
In the Shuffle! anime, the long relation between Rin and Kaede is a stark illustrator to this. As children, Kaede grew to hate Rin, to the extent where she drops an exacto knife on his face from the top of a stairway. When she realizes that the root of the hate is a lie, she devotes herself to him unconditionally. When Rin chooses another girl, the crap hits the fan and crazy Kaede comes back out, showing the psychic shock that comes with severing a harem bond.
Throughout the Tenchi series, this attempt to do no harm leads Tenchi to maintain the untenable equilibrium between the girls. Indeed, Tenchi the Movie 3 starts with Tenchi attempting to flee the bickering over him and is lured away by the phantom Haruna. During the protracted chase, Ayeka and Ryoko make it clear that their romantic feelings drive them rather than a sense of justice or platonic friendship or fellowship. The long standing rivals become allies and bolster each other when hope fades. At the end, Ayeka gives in during a bittersweet scene and asks Ryoko to bring him back. Severing ties is serious business in a harem, because it also disentangles the underlying weave of the story's central conflict.
Still, the choice is within the otaku's grasp (5). The otaku may make a different choice from the placeholder, but the story clearly leads to happily ever after (6). And the key to the placeholder is to keep most of the main character's action within the scope of the otaku from the begininng, to the middle, and to the end.
Notes:
(1) translation at www.baka-tsuki.net.
(2) one female, many men.
(3) and (parethetically) my friend the Polish "Ponytail girl" was accused of having a harem of her own. During her first weeks at college, she befriended a group of computer geeks: a jewish genius, a gay guy with a 'fro, a guy obsessed with poneytails, and the silent one. I was declared an honorary member at one point. Her relationship to all of us, save one, was strictly friendship. But that's neither here nor there and is, therefore, confined to the footnotes.
(4) Again, something the otaku consumer can do.
(5) That is where the safe habor of the fanfiction comes in to safely shelter his favorite 'ship.
(6) for every rule, there is the exception that proves it. School Days with the bloody "nice boat" ending is a parody with the main character sleeping around (and violating the harem trust) and caring only about his own convenience and pleasure. He basically gets what he deserves at the end. The appeal of School Days is partly in the shocking break from the harem pattern.
Saturday, November 8, 2008
Vampires and Anime
The only two vampire anime that I have watched are Vampire Hunter D and Vampire Princess Miyu. Unlike the noir atmosphere that I saw in the Big O, the 'vampire' in most anime seems to be either flavoring or to be missing the Gothic atmosphere. Van Hellsing and Blood probably have their defenders, but compared to
- LeFanu's "Carmilla"
- Bram Stoker's "Dracula"
- Stephen King's "Salem's Lot"
- Rachel Klein's "Moth Diaries"
- White Wolf's "Vampire: the Masquerade"
Saturday, October 25, 2008
Blazing Copout
The ending to the Shakugan no Shana anime must have been the biggest copout ending since the Battle Royale novel. However, Battle Royale did not have magic or mysticism to fall back on, and the author could be forgiven for trying to create a happy ending to relieve the mad and gloomy premise that he had created. Since I’m talking about endings, this should obviously be a massive, scorching hot flag that this will be chock full of spoilers.
During the final scene, Shana’s patron Alastor the Heaven’s Flame manifests to drain out the overflow of Existence that the Ball Masque had created. In the transformation, Shana is supposed to irrevocably destroyed and Yuji annihilated with them. She accepts her duty and Yuji follows her willingly.
I admit that I forgot about his ability to defend against the Flame Haze’s ability through the magical ring Azure. So that explains how he survived, but Shana is suddenly able to contain Alastor’s full form and isn’t destroyed.
That ending was the easy way out after the author managed to paint the plot into a corner. I think that there was a plausible or better way to end it all. The key was Hecate, whose power was to link vessels.
Yuji’s contribution to the mess was his insight into the way devices worked. Since Hecate had joined with him, he might have been able to get a gist of how to do it as well. He didn’t need to gain the ability to forcibly invade others, but a little bit of the power would have been enough.
If he had been able to link up with Shana and then use Azure to expel some of the fire, then it would have been a less abrupt ending. Even better, it didn’t use any tools that weren’t available before. Why doesn’t someone write a fanfic of this?
Someone just might.
Complaint #2 is the pointlessness of the grand scheme of the Ball Masque. Megalomania is an old favorite. Maybe to fuse Crimson World to Earth or to fuel a war in the Crimson World so that the Judge of Paradox could conquer the other world.
Sigh, there was so much potential to blast past the sailor suit she-samurai, meido massacre, and the egregious Engrish. Despite all this, Shakugan no Shana still coulda been a contender to the Hardcore Hall of Fame, but copped out in the end. And despite these flaws, it is an enjoyable entry for most otaku.
P.S. After reading the 1st volume of the series again, I realized that this power was revealed after the battle with Friagne. From the perspective of a transfer, it was a delay revealing the power. However, taking the series as is, it looks like a clumsy Deus ex machina.
During the final scene, Shana’s patron Alastor the Heaven’s Flame manifests to drain out the overflow of Existence that the Ball Masque had created. In the transformation, Shana is supposed to irrevocably destroyed and Yuji annihilated with them. She accepts her duty and Yuji follows her willingly.
I admit that I forgot about his ability to defend against the Flame Haze’s ability through the magical ring Azure. So that explains how he survived, but Shana is suddenly able to contain Alastor’s full form and isn’t destroyed.
That ending was the easy way out after the author managed to paint the plot into a corner. I think that there was a plausible or better way to end it all. The key was Hecate, whose power was to link vessels.
Yuji’s contribution to the mess was his insight into the way devices worked. Since Hecate had joined with him, he might have been able to get a gist of how to do it as well. He didn’t need to gain the ability to forcibly invade others, but a little bit of the power would have been enough.
If he had been able to link up with Shana and then use Azure to expel some of the fire, then it would have been a less abrupt ending. Even better, it didn’t use any tools that weren’t available before. Why doesn’t someone write a fanfic of this?
Someone just might.
Complaint #2 is the pointlessness of the grand scheme of the Ball Masque. Megalomania is an old favorite. Maybe to fuse Crimson World to Earth or to fuel a war in the Crimson World so that the Judge of Paradox could conquer the other world.
Sigh, there was so much potential to blast past the sailor suit she-samurai, meido massacre, and the egregious Engrish. Despite all this, Shakugan no Shana still coulda been a contender to the Hardcore Hall of Fame, but copped out in the end. And despite these flaws, it is an enjoyable entry for most otaku.
P.S. After reading the 1st volume of the series again, I realized that this power was revealed after the battle with Friagne. From the perspective of a transfer, it was a delay revealing the power. However, taking the series as is, it looks like a clumsy Deus ex machina.
Friday, September 26, 2008
Princess Army Epiphany
I have a friend of Polish ancestry and we never let her live down hanging with us at the college anime club when it played Princess Army: Wedding Combat. This show managed to live up to it's kitschy title in all of the wrong ways. The air headed female character had two potential loves. A master martial artist who dominated the well known martial arts world in Poland of all places (this yaoi poster boy was labeled a "typical Polish male" to the consternation of our lovely Polish friend). The other was a well meaning local boy. There was also a gay guy that liked judo ground work. After the pseudo-rap scene, we just about had it.
I think that this was truly the definitive moment, when I realized that not all anime was for me. Not Detonator Orgun, not Oz, not even Battle High, I have Princess Army: Wedding Combat to thank for the epiphany.
I think that this was truly the definitive moment, when I realized that not all anime was for me. Not Detonator Orgun, not Oz, not even Battle High, I have Princess Army: Wedding Combat to thank for the epiphany.
Wednesday, June 4, 2008
Shinkai III: Killing Me Softly
I admit that I'm a sucker for sappy, sentimental movies, so Shinkai's "5 centimeters per second" go me hook, line, and sinker. This work showcased even more sophisticated animation and visuals than his previous work "Place Promised in Our Early Days". However, "5 cm" shed the storyline and plot that weighed down Shinkai's poetic bent in "Place Promised".
Practically every scene looks beautiful and amazing. The character designs are simple, but effective against the soulful backgrounds and incredible landscapes. There is none of the foil-shine from early CG fractals; these are digitized oil colors. He managed to capture the smear of dusk clouds, the blaze of the sunlight, the glare of the train lights, and even the subtle motion of falling snow.
My personal siren Hillary Haag played the lead female role Akari and completely pulled me into the sweetness of the first story and led me to the kill by the end of the third, short vignette. I knew what was going to happen when the trains passed by each other in the last scene, and I had to ask "carve my heart out with a spoon, why don't you?" And so they did. Sappy stuff gets me everytime.
Practically every scene looks beautiful and amazing. The character designs are simple, but effective against the soulful backgrounds and incredible landscapes. There is none of the foil-shine from early CG fractals; these are digitized oil colors. He managed to capture the smear of dusk clouds, the blaze of the sunlight, the glare of the train lights, and even the subtle motion of falling snow.
My personal siren Hillary Haag played the lead female role Akari and completely pulled me into the sweetness of the first story and led me to the kill by the end of the third, short vignette. I knew what was going to happen when the trains passed by each other in the last scene, and I had to ask "carve my heart out with a spoon, why don't you?" And so they did. Sappy stuff gets me everytime.
Saturday, March 22, 2008
The Business End of Fandom
I felt a certain resignation about the trouble at ADV and relief at their recovery. Their dubious Anime Network, ailing manga line, and trickle of new titles were harbingers to trouble. The releases of UFO Maiden Valkyrie was a come-down from Rahxephon, Kino's Journey, Kaleido Star, etc. I'm glad that ADV is getting back on its feet and I ordered Kanon 2 & NHK 1; 5 CM per second will be next.
One of my concerns is that the English voice versions will permanently suffer from this down turn. they've found and cultivated real gems in Lucy Christian, Chris Patten, and Hillary Haag. I've bought some anime just to hear Hillary Haag in them. The funny thing is that I bought "Princess Nine" to listen to Nagasawa Miki (Ibuki Maya in "Evangelion) as Hayakawa Ryo. I ended up listening to the English version and have listened for Hillary Haag ever since.
Fortunately they're back. Bandai has announced that they are reviewing their pricing scheme. While they're at it, they can meditate about the failure of the original "Gundam" (not Wing) to ignite America. Maybe the Gilligan style steering wheel in the Musai cruisers and the White Base might tip them off. Maybe, because "Macross" and "Robotech" also explored the themes of war, civilians at war, and idea of a ship as a home, but with considerable more polish.
Also, Right Stuf & Corneranime Store continue to contribute through Nozomi Entertainment with the slated release of "Maria-sama ga Miteru". Unfortunately, Geneon couldn't get it done, though Maria-sama was produced by the main branch of Geneon. It's been a rocky couple of months for anime, but it continues to go strong. Even if it doesn't, I'll still be here, and I'm pretty sure that other old skool fans will be, too.
One of my concerns is that the English voice versions will permanently suffer from this down turn. they've found and cultivated real gems in Lucy Christian, Chris Patten, and Hillary Haag. I've bought some anime just to hear Hillary Haag in them. The funny thing is that I bought "Princess Nine" to listen to Nagasawa Miki (Ibuki Maya in "Evangelion) as Hayakawa Ryo. I ended up listening to the English version and have listened for Hillary Haag ever since.
Fortunately they're back. Bandai has announced that they are reviewing their pricing scheme. While they're at it, they can meditate about the failure of the original "Gundam" (not Wing) to ignite America. Maybe the Gilligan style steering wheel in the Musai cruisers and the White Base might tip them off. Maybe, because "Macross" and "Robotech" also explored the themes of war, civilians at war, and idea of a ship as a home, but with considerable more polish.
Also, Right Stuf & Corneranime Store continue to contribute through Nozomi Entertainment with the slated release of "Maria-sama ga Miteru". Unfortunately, Geneon couldn't get it done, though Maria-sama was produced by the main branch of Geneon. It's been a rocky couple of months for anime, but it continues to go strong. Even if it doesn't, I'll still be here, and I'm pretty sure that other old skool fans will be, too.
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